JESUS ON MARS (CDR by Dissolving Records)
This release is 'dedicated to P. Dick, R. Pinhas and C. Schnitzler', it
says on the cover and its not difficult to see why. I have no idea who
Jesus On Mars, wether its a group or an one-man band, but it seems that
they have acquired a bunch of analogue synthesizers to shape up their
science fiction music, and as we know, science fiction always deals
with the past, or at the best with the 'now' (which has become 'past'
once we said the word). Fuzzy music of old synthesizers, with dust
between the knobs and keys, sounding very 'old'. Like Pinhas and
Schnitzler's 'non-keyboard electronics' in the seventies. Psychedelic
music that takes the listener of an endless journey through the sky,
and beyond, up into the dark, onwards to the planet Mars - as red as
the cover of this CD. Its not that I hear anything 'new' in this
release, hell no, but I played this twice in a row. Alright, I was too
lazy to change the player, but also because these five pieces had
something captivating. Wild, experimental and yet close to the world of
cosmic music - a bumpy ride through the cosmic and one returns all
refreshed and bright. Like waking up from a LSD trip, almost.
Thoroughly psychedelic. (FdW)
(from Vital Weekly 842 http://www.vitalweekly.net/842.html )
"Multifarious Visions from the Sonic Margins"
Tuesday, 7 August 2012
Friday, 27 July 2012
Jesus on Mars recommended this week at Boomkat
http://boomkat.com/cds/556053-jesus-on-mars-jesus-on-mars
**Edition of 170 copies with catalogue insert. Excellent album of distorted and submerged Kosmische experimentation highly recommended if you're into Conrad Schnitzler, Emeralds etc.** Inner visions of martian sci-fi soundscapes conducted by the protagonist behind Dissolving Records. Paying tribute to Philip K. Dick and Conrad Schnitzler, 'Jesus On Mars' envelopes us in a black hole of analogue swirls, tripping into a vast alternate world of "...temporal concatenations and expansions; inner-spatial vistas and ferric visions of arcane pulp planetscapes." As history, literature and culture repeatedly tell us - from ancient Greece to modern Hollywood and NASA - Mars is not a friendly place and this mood of fearful trepidation is central to 'Jesus On Mars' as we're engaged by mighty dust clouds of cosmic distortion and harmonic hallucinations bound to leave a lasting impression after reentry to terra firma. We're sure Schnitzler would approve of this album.
**Edition of 170 copies with catalogue insert. Excellent album of distorted and submerged Kosmische experimentation highly recommended if you're into Conrad Schnitzler, Emeralds etc.** Inner visions of martian sci-fi soundscapes conducted by the protagonist behind Dissolving Records. Paying tribute to Philip K. Dick and Conrad Schnitzler, 'Jesus On Mars' envelopes us in a black hole of analogue swirls, tripping into a vast alternate world of "...temporal concatenations and expansions; inner-spatial vistas and ferric visions of arcane pulp planetscapes." As history, literature and culture repeatedly tell us - from ancient Greece to modern Hollywood and NASA - Mars is not a friendly place and this mood of fearful trepidation is central to 'Jesus On Mars' as we're engaged by mighty dust clouds of cosmic distortion and harmonic hallucinations bound to leave a lasting impression after reentry to terra firma. We're sure Schnitzler would approve of this album.
Wednesday, 18 July 2012
Jesus on Mars
Jesus on Mars - Jesus on Mars (Henge 006)
Released: 26/07/2012
... jerry-rigged nests of wires and
plugs wrapped in multicoloured sleeves, potent transcendental devices awaiting
the engagement of an active imagination, spreading out below a bird’s-eye
viewer, clouds of dust, petrified ripples, gleams of water, crumbling cities,
strange figures… the Martian deserts of the Mind.
Sound:
Tracklisting:
1. Jesus on Mars
2. Martian Deserts of the Mind
3. At the Dreaming Pole
4. Galactic Pot Healer
5. Martian Time Slip
The album features 53 minutes of electronic trip-outs, temporal concatenations and expansions; inner-spatial vistas and ferric visions of arcane pulp planetscapes. Packaged in a gatefold-style colour sleeve with cover painting by Thomas
Shrubsole.
Edition of 170 copies only.
Available to buy from Boomkat http://boomkat.com/cds/556053-jesus-on-mars-jesus-on-mars , Norman's http://www.normanrecords.com/records/135480-jesus-on-mars-jesus-on , Piccadilly http://www.piccadillyrecords.com/products/JesusOnMars-JesusOnMars-DissolvingRecords-84926.html and direct from the label
email for prices/orders etc.
Enjoy!
Saturday, 23 June 2012
Audio preview of Jesus on Mars
Soundcloud preview of Jesus on MarsSoundcloud album previewPreview of the new album forthcoming on Dissolving Records: Jesus on Mars - Jesus on Mars (Henge 006)
Track excerpts are as follows:
1. Jesus on Mars
2. Martian Deserts of the Mind
3. At the Dreaming Pole
4. Galactic Pot Healer
5. Martian Time Slip
The full album features 53 minutes of music and is packaged in a fold out gatefold-style colour sleeve with cover painting by Thomas Shrubsole.
Available to buy from Thursday 26th of July 2012 direct from Dissolving and from the usual selected stockists.
Friday, 22 June 2012
New Album Out Soon on Dissolving...
NEW ALBUM RELEASE FOR JULY
'Jesus on Mars'I have great pleasure in announcing the imminent release of the latest long-playing missive from Dissolving, electrified science-fiction epic Jesus on Mars. Black holes of analogue swirl, synth-scoured planetary surfaces and inner-spatial trips dedicated to P K Dick, R Pinhas and C Schnitzler. Expect this in the shops in early July, soundcloud clips will follow soon.
Keep an eye here for photos, tracklisting and stockists in the next couple of weeks...
Saturday, 24 December 2011
Terrascopic View of The Ley Hunter's Companion
In this week's second very welcome review the good folks at Terrascope Online have included The Ley Hunter's Companion in their December issue of Rumbles, here's what they have to say:
"The Ley Hunter's Companion" is a two track EP whose opening cut is strongly reminiscent of Manuel Göttsching's seminal trance epic "E2-E4." The basic rhythm and style is augmented after a few minutes by an analogue-sounding addition, while the base sequence flickers and mutates. At the end of the track a lovely analogue lead line emerges, alas far too briefly. The second cut opens with a softly shimmering sequence reminiscent perhaps of Terry Riley, with more hints of Ashra coming in later."
Thanks guys!
full issue here: http://www.terrascope.co.uk/Reviews/Rumbles_December_11.htm
Copies are still available direct from the label, email dissolving (dot) records (at) yahoo (dot) co (dot) uk for prices and shipping.
"The Ley Hunter's Companion" is a two track EP whose opening cut is strongly reminiscent of Manuel Göttsching's seminal trance epic "E2-E4." The basic rhythm and style is augmented after a few minutes by an analogue-sounding addition, while the base sequence flickers and mutates. At the end of the track a lovely analogue lead line emerges, alas far too briefly. The second cut opens with a softly shimmering sequence reminiscent perhaps of Terry Riley, with more hints of Ashra coming in later."
Thanks guys!
full issue here: http://www.terrascope.co.uk/Reviews/Rumbles_December_11.htm
Copies are still available direct from the label, email dissolving (dot) records (at) yahoo (dot) co (dot) uk for prices and shipping.
Wednesday, 21 December 2011
Foxy Digitalis on The Ley Hunter's Companion
A bit of an odd duck in the best sense, Sub Loam’s “mini-album” is a two-track, 30-minute meditative synth journey, a CD housed with a dedicated map-like poster in a 7-inch jacket. Containing two classy synth pieces, it’s an album that exalts the peculiar potential of a car trip for reflection, relaxation, and meditation. This in-car reflection always comes with solitude, and Sub Loam recognizes this and gets them out of the way, immersing the listener in the repetitive sequencer bliss of a blurry countryside passing by.
Both of these pieces are heavily indebted to certain aspects of ‘70s space and Kosmische music. “Lines In The Landscape” is a minimally changing arpeggiated sequence anchoring a hovering Kosmische-inspired theme. Although the daydream is broken rather abruptly at the end of the track, we move quickly into the equally mesmerizing “Odyssey.” This is a slightly faster sequence that features a prominent flanger effect and, again, minimal variation, until it slowly floats away.
Although it was released in time for “summer holidays,” the trip is equally comfortable listening in these winter times. Limited to 230 copies, this is a nice little document.
8/10
http://www.foxydigitalis.com/foxyd/?p=23056
Both of these pieces are heavily indebted to certain aspects of ‘70s space and Kosmische music. “Lines In The Landscape” is a minimally changing arpeggiated sequence anchoring a hovering Kosmische-inspired theme. Although the daydream is broken rather abruptly at the end of the track, we move quickly into the equally mesmerizing “Odyssey.” This is a slightly faster sequence that features a prominent flanger effect and, again, minimal variation, until it slowly floats away.
Although it was released in time for “summer holidays,” the trip is equally comfortable listening in these winter times. Limited to 230 copies, this is a nice little document.
8/10
http://www.foxydigitalis.com/foxyd/?p=23056
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